Ann Kopka is a visual artist and curator. She has exhibited her work in art galleries, museums, hospitals, churches, libraries and non-conventional spaces in London, the UK, Denmark, Germany, Italy and the USA. Ann’s work is held in private collections in the UK, France, Spain, USA and Australia.

Ann’s work has been used to inspire students of all ages, from primary school children to art college students and has been the subject of GCSE art projects. She has also participated in collaborative exhibitions with jazz musicians, poets, writers, architects and designers.

Ann’s art practice encompasses painting, 2D and 3D mixed media, digital art and installation. Her current interests are informed by her fascination with the relationships between geometry, design and architecture in both the manmade and natural world. With a visual emphasis on exploring the relationships between structure and scale, colour and light, repetition and pattern, her artworks hover between the representation of recognisable images and the non-traditional formal repetition of shapes and structures prevalent in abstract art.

Ann’s paintings ‘grow’ through the subtle application of multiple layers of vivid acrylic colour. Colour is employed not to be representational but to convey light and energy, emphasise the circulation of movement and bind the network of structures together into a coherent picture. The slow buildup of vibrant saturated surfaces results in paintings that have an illusion of depth sometimes with distinctive three dimensional qualities contradicting the defining flatness of abstract art and yet in art historical terms allude to analytical cubism, constructivism, op-art and geometric abstraction.

The processes of deconstructing and reconstructing subject matter to articulate concepts of space also resonates with Ann’s digital artwork where subject matter is taken out of its original context and re-imagined alluding to a further interpretation of abstraction.

Ann’s mixed media and 3D artwork engages with the research, process and transformation of discarded everyday ephemera and disregarded disposable objects of little or no intrinsic value. Through the concept of ‘making something out of nothing’ Ann seeks to draw attention to the throwaway nature of consumer society and question our perception of its value systems.

Ann studied Fine Art at Central St Martins College of Art and Design and The City Lit London. She studied The Practices and Debates of Modern Art at the Open University and graduated with a First Class Honours Degree. She has studied Museum Curating at The Tate Modern.

Ann is a volunteer at the Heath Robinson Museum London where she has organised and curated temporary exhibitions.

Ann is a member of The Free Painters and Sculptors, an independent artists co-operative and charity and is a member of the New Constructivists Artists organisation.

Ann is a former member of Harrow Open Studios and was a member of the former Brent Artists Resource organisation.